中国古代女性主角恋情诗中,女主角们直率坦诚的传情方式和她们在爱情生活中的优患意识成为这类诗中最为耀眼的两个亮点。表现在荚学范畴中,这两处又体现为两种美的形态——直丰美和悲剧美,二者交织互补共同构成了这类诗中一捧亮丽的美学风景——壮美。而壮美这种美的形态在女性主角恋情诗中得以广泛展示,是有其深厚的生成背景的。 In the ancient Chinese female protagonists’ love poems, the direct and candid manner of the actresses and their sense of superiority and predominance in the love life have become the two most prominent bright spots in these poems. In the category of podology, these two are embodied in two forms of beauty - straight abundance beauty and tragedy beauty. The two are intertwined and complement each other to constitute a beautiful aesthetic landscape of these poems. The beauty of this beautiful form of female protagonists in love poems to be widely demonstrated, there is its deep background.