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在现代主义运动发展到形式创造的阶段时,人的想象力就遇到了障碍,塞尚似乎不可超越了,勃拉克曾沿着塞尚写生过的路线几乎是从同一角度再画一遍塞尚画过的景点,但结果不过是把塞尚的关系抽象化了一点。这时出现了毕加索,他从现成的物品中发现了一种新形式关系,于是诞生了“拼贴”的概念,把拣来的东西按一定关系拼贴起来,就有一种意想不到的形式感。杨克勤的画当然不是拼贴,但她有一双拼贴式的眼睛,在不被人关注的细微之处,拣到她的绘画意趣。
As the modernist movement reached the stage of formal creation, human imagination encountered obstacles. It seems that Cezanne can not be surpassed. In the course of his sketching of Cezanne, he almost painted the same Cezanne painting However, the result is nothing more than the abstraction of Cezanne’s relationship. Picasso appeared at this time, he found a new form of relationship from the ready-made items, so the concept of “collage” was born, and the picked-up things collage in a certain relationship, there is an unexpected sense of form . Yang Keqin’s paintings, of course, are not collages, but she has a pair of collage-style eyes and picks up her interest in painting without getting noticed.