在莫斯科–塔尔图符号学派中,洛特曼的符号学思想总有言说不尽的话题。人们不仅对洛特曼符号学思想本身进行过探讨,还从多种视角对其进行了很多相关的延伸性研究。本期刊出三篇文章,分别就节奏诗学、文本观、元修辞学等展开讨论。在第一篇文章中,管海莹将洛特曼在研究俄语诗歌史时的一个重要范畴——节奏诗学——置于别雷的创作之中进行分析。别雷将节奏诗学运用于其各类作品之中,通 In the Moscow-Tartu school of symbols, Lotman’s semiotics always has an endless conversation. People not only explored Lotman’s semiotics thought itself, but also conducted many related extensional researches on it from a variety of perspectives. This issue of three articles, respectively, on the rhythm poetics, text view, meta-rhetoric, etc. to start the discussion. In the first article, Guan Haiying put Lotman’s study of the history of Russian poetry, an important category of rhythm poetry, into Beyer’s writing. Bealey uses rhythm and poetics in all kinds of works