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罗丹美术馆两件小小的头像让我驻足看了很久。一件是《波特莱尔》,一件是《卡蜜儿》。波特莱尔(1821-1867),十九世纪法国的诗人。卡蜜儿(1864-1943),十九世纪法国女性雕刻家。这样介绍罗丹中年以后重要的两件作品似乎毫无意义。这两件小小的头像不常被介绍,比起罗丹的其他作品,像《青铜时代》,像《卡莱市民》,像《沉思者》,像《巴尔札克》——这两件头像,尺寸小,放在玻璃橱柜里,外型不抢眼,很难引人注意。但是,凝视这两件头像,凝视久了,仿佛看到罗丹灵魂深邃处不为人知的耽溺与困惑。
Rodin Museum of Art two small head let me stop for a long time. One is Porter and the other is Camilla. Portlair (1821-1867), a nineteenth-century French poet. Camilla (1864-1943), nineteenth-century French female sculptor. It seems pointless to introduce two important pieces of work after Middle-aged by Rodin. These two little avatars are not often introduced. Compared to other works of Rodin, such as the “Bronze Age,” like the “Citizens of Calle”, “Meditators,” like “Balzac,” these two avatars Small size, placed in a glass cabinet, the appearance is not eye-catching, it is difficult to attract attention. However, staring at the two avatars and staring for a long time seemed to see the unaccountable indulgence and perplexity of Rodin’s soul.