An Analysis of Doctor Faustus as a Tragedy

来源 :西江文艺 | 被引量 : 0次 | 上传用户:yinje2004_2005
下载到本地 , 更方便阅读
声明 : 本文档内容版权归属内容提供方 , 如果您对本文有版权争议 , 可与客服联系进行内容授权或下架
论文部分内容阅读
  Usually as a tragedy,the final fate of protagonist always makes readers contemplate on what on earth resulted in his tragedy.We can analyze this question from many perspectives like theme and the background of Doctor Faustus .Doctor Faustus is a knowledgeable person but not satisfied with his current status in his life.So he desires to challenge God and wants to possess the ability to perform magician,which can help him do anything he wants. However,in the end, Faustus paid a high price for his desires and behaviors without gaining anything.
  As far as I’m concerned,there are several aspects that contribute Doctor Faustus a tragedy.First, the conflicts with the time spirit and religion. Second, the conflicts with traditional value.Third,he conflicts between desires and rationality of person. Faustus lost the balances of desire and rationality of person. In addition, even though as a doctor he is not content with what he has at present and is eager at something powerful that he can use to do something great or useful.In my interpretation, it is the struggle or the fight between rational and desire in his inner heart that make him suffer a lot or even become a tragedy. Just as the two angels in the play contrast with each other.When Faustus made decisions,the good angle and bad angle are also separately represents the rational and desire of a person. In addition, god and devil are also on the behalf of rationality and desire of a person.
  1.Conflicts with time spirit and religion
  Faustus is so ambitious in knowledge in the time of renaissance that he yearns for gaining all kinds of knowledge for freeing himself ultimately and surpassing the ultimate limitation of human beings.His endless aspiration of knowledge represented the inner desire of person.In addition, Faustus is also a disobedient of God. He longs for being a demigod and breaks the rules of religion and traditional convention.However,what he longed for and did totally disobeys with the time spirit of renaissance,when harmony spirits are advocated.During that period,people are encouraged to obey rules and limitation.To the contrast, according to Faustus:“All things that move between the quiet poles shall be at my command:emperors and kings are.... tire my brain to get a deity!” his ambitious has exceeded the authority of god. However,In the medieval world people placed God at the center of existence.So Faustus’s challenges to the authority of God and even ambition for being a demigod lead to his tragedy.   2.Conflicts with traditional value
  In ancient or traditional value, limitations and order are being highly accentuated. In traditional concept that even the universe is also limited.Faustus as one of the activist are eager to break up the traditional concepts of limitation and order. Faustus is a profound person in all kinds of field and is unsatisfied with law,medical science,philosophy and theological.He changed into being interested in magician which can help him knowing anything without limitation.Thus,he can gain the supreme power and strength of human beings. In the first act of play,Faustus in his study expressed his negative attitude towards the four subjects of the medieval and renaissance period. In his mind,all this subjects have their own limitations in their fields. Medicine can cure people to some degrees but cannot make human beings eternal.Philosophy cannot bring authentic benefits to person and law are just controlled by those who are rich and theological is just a subject that deceives those who believe in.He hopes that magician can help him to realize something beyond limitations. “I’ll have them fly to India for gold, ....and make swift Rhine circle fair Wittenberg.” all those indicate that Faustus’s inspiration of breaking the principle of limitation and exploration for breakthrough. Therefore, Faustus decided to only pay attention to magician which he regarded as limitless.What he pursued at that time were contradictory with the value of that time.
  3.Self-contradictory: Desire versus rationality
  When Faustus feels disappointed with all the fields like medicine,law, philosophy, theological and begins to be interested in magician.It means that he begins to have some desire.Because,In his mind, magician can help him do anything he wants and even be the demigod. At that time,his desire plays a more important role than rational for him.So even he made a contract with devil Mephistophilis for serving him for twenty-four years at the cost of his soul.He made his decision just for his own desires without considering any other results. So his regardless of rational leads to his final tragedy.Furthermore, even he possesses the ability to perform some magician which can help him do almost things, he forgot what he wanted initially.He didn’t make use of these magician to do something meaningful rather than just made some trifles and play jokes on others.He is just indulged in satisfying his own desires without any limitations of rational. After his possess of magical ability, he didn’t insist on his previous ambition for doing something useful and special, which makes him feel regret in the end. When getting the ability to perform magic power,he just soaks himself in his own greedy and desire. We can imagine, if he make use of his power to do something special or meaningful for others,he won’t feel terrify for going to the hell. Because he has realized the value of his life. It is his squander of his power that makes him so frightened with the cost.
  These three aspects can be regarded as the main reason for this tragedy.Furthermore,some tragic flaw of Faustus’ personality also contribute to his tragedy.For example, greedy, much curiosity with new things,great ambition,desire. Though he is a profound person in many fields, he still thought what he knows are useless for big things.Therefore,he turn to thing that seems to be useful.However,what he thought are magical are also useless for him.
  Work cited: Marlowe, Christopher. Doctor Faustus. Beijing: China translation and publication corporation, 1994.
其他文献
【摘要】:当今世界经济文化的高速的发展,世界各地的经济文化也更加紧密的交织在一起。并且,在文化的交融中渐渐突显出具有本土特色的特征。本文对本土文化影响下的中国当代写意油画进行研究,使大家了解在中国当代写意油画不是去简单的复制西方的现代表现主义的油画。我国的中国画的发展也是有着长久的历史。其中的艺术精神是有着相同点的,我们如果能够将中国传统的艺术精神融入到油画这种媒介中,形成具有中国本土特色的中国油
期刊
【摘要】:梁山伯与祝英台是我国民间著名的爱情故事,著名作曲家何占豪和陈钢根据这经典爱情故事改编成小提琴协奏曲《梁祝》,引起巨大反响。这首小提琴协奏曲将中国传统民间文化与西方作曲技巧结合,将中、西方音乐文化元素融合,是民族音乐交响化的一次的尝试和探索。它凄美的旋律,动人的故事,无不使人沉迷其中,无法自拔。  【关键词】:梁祝;中西结合;创作;演奏技巧  非专业人士对于《梁祝》的理解基本都只是停留在“
期刊
【摘要】:当今时代,网络信息技术的发展日新月异,电子商务的领域及其周边产业业务范围也在逐渐扩大,而电子商务的发展离不开网站建设水平进步的支持。这其中,在网站平台上进行平面设计的质量和效果关系到网站建设总体成果的优劣,因此,占据主导性技术的平面设计和与相关技术的结合成为关键。笔者认为,二者缺一不可,良好的网站建设离不开平面设计与技术的能动结合。本文以列举在网站建设过程中存在的相关问题为切入点,旨在探
期刊
【摘要】:英国著名的作曲家安德鲁.韦伯,他所创造的音乐剧至今为止有20多部。韦伯把流行音乐和古典音乐相结合,融合多种的音乐类型,形成了他自己独特的音乐创作风格。音乐剧《约瑟夫的神奇彩衣》是韦伯非常有代表性的以流行音乐风格为主,加入了摇滚元素的代表作。摇滚音乐元素的加入使音乐和剧中的角色更加激情、大胆、张扬,能够及时准确的表达出情感和情绪,使得舞台上音乐风格多变,更具有感染力。  【关键词】:音乐风
期刊
【摘要】:人們在满足了物质生活之后,对于精神世界的需求越来越迫切。群众声乐活动也应运而生。在当前的社会转型期,社会主义精神文明建设早已被提上日程,社区性的群众声乐辅导也成为重要的研究课题之一。本文以对群众的声乐教育做切入点,深入探讨群众文化辅导中的策略问题,将提高全民艺术修养做为目标,在群众文化建设中寻找共建和谐社会的途径。文章提出了对于群众文化辅导的建设性意见,有针对性的指出当前群众声乐辅导的误
期刊
波普艺术是流行艺术的简称,又称新写实主义,因为波普艺术(Pop Art)的Pop通常被视为"流行的、时髦的"一词的缩写。它代表着一种流行文化。在美国现代文明的影响下而产生的一种国际性艺术运动,多以社会上流的形象或戏剧中的偶然事件作为表现内容。它反映了战后成长起来的青年一代的社会与文化价值观,力求表现自我,追求标新立异的心理。  20世纪50年代初萌发于英国,50年代中期鼎盛于美国。波普艺术一词最早
期刊
【摘要】:吴冠中用30余年的时间,致力于风景油画和中国墨彩画的创作,并进行油画民族化和水墨现代化的探索。吴冠中说:“形式美的基本因素包含着形、色、韵,我用东方的韵来吞西方的形与色,蛇吞象。”吴冠中的中国画现代化探索概括下来大致经历了四个时期,即象吞蛇,蛇吞象,蛇化象,蛇中有象、象中有蛇,最终创造出“空灵”具有中国古典艺术精神且具有新的形式美感的墨彩作品。  【關键词】:吴冠中;水墨画;现代化  一
期刊
【Abstract】:In recent years, the product design and growth in the continuous development of our country, children's products are more and more concerned about the children's lamp is a special kind of l
期刊
【摘要】:在大城市里,几乎所有奋斗在最底层的上班族每天都会去挤地铁,地铁里汇聚了形形色色的人们,可以算是一种最常见的交通工具了。“地铁”可以说是一个漂泊打拼的人的象征,每个曾经经历过它的人,都会对它既有亲切感,又有厌恶感。很多人都会说,看到地铁,想起了过去的时光,有各种各样说不尽的故事,因此,地铁,可以说是一个最容易引起共鸣,最适合讲述漂泊故事的地方。  【关键词】:地铁;创作;音乐  一、编曲、
期刊
【摘要】:本文以德彪西前奏曲第三首《平原上的风》、第四首《飘荡在晚风中的声音与香气》以及第五首《阿纳卡普里的山丘》为例,从曲式结构、调式音阶、和声进行等方面对这三首作品进行相关分析。  【关键词】:德彪西;前奏曲;创作特征  一、曲式结构分析  (一)《平原上的风》  第一部分:第3-6小节为第一乐句,是整个乐曲的主题,7-8小节是1-2小节的重复,是两乐句间的过渡。第9-12小节是这一部分的第二
期刊