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村落共同体的聚会对歌浸淫了个人注入集体的生命过程。对歌仪式作为个人与集体间的中介物,有着结构和系统化的行为特点,包括对歌音乐与程序的传统规定性、对歌内容的世代承袭。如果说仪式是一场场展演,脚本则是仪式展演中模式、结构化的部分。中国各地区的两性对歌从音乐至仪式性脚本均呈现出不同的样态,如广西南部壮族民间的夜间聚会对歌,其音乐形态与仪式性歌唱中的结构化部分,即充分显现出自身的特征。
Village community parties on the song soaked in the individual into the collective life process. As an intermediary between individuals and collectives, the pairing song has the characteristics of systematic and systematic behavior, including the traditional stipulation of song music and procedure and the inheritance of song content. If the ceremony is a show, the script is the pattern, the structured part of the ceremony. Songs of genders in various regions of China show different patterns from music to ritual scripts. For example, the night partying songs of southern Zhuang people in southern Guangxi, the structured parts of their musical forms and ritual songs, fully reveal themselves Characteristics.