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现今的字体设计很大一部分都能在民国美术字或民国时期左右找到影子,可以说是以前的美术字设计反哺了现今的字体设计。现今的字体设计又得以进一步的系统化的有效呈现,现在,我们日常见到的很多字体设计,例如企业标准字设计,商品标志字体设计,文化创意海报类字体设计都有形无形的能看到美术字的笔意。经过有意装饰设计过的字体不会矫揉造作、减省有方、风格优美,不会带来识别性上的困难,且符合字体本身所传达的内涵。
Today, a large part of the font design can be found in the Republic of China during the Republic of China or around the shadow of the Republic of China, can be said that the previous art design fonts fed today’s font design. Today’s font design has been further systematic and effective presentation, and now we see a lot of the daily font design, such as corporate standard design, product logo font design, cultural and creative poster font design are tangible can see the art The pen meaning. After deliberately decorative design of the font will not be artificial, reduce the square, beautiful style, will not bring the identification of the difficulties, and in line with the connotation of the font itself.