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景物描写是文学作品中必不可少的要素,与人物描写或协调或反差。郁达夫作品中的主体形象,大多忧郁苦闷,悲观绝望,颓废消沉,因此他的作品中的景物描写或情景交融,或以乐衬悲,都带着明显的“郁氏”风格。而在他的自传体散文中,因以成年人的身份回顾童年的种种,穿插其间的景物描写却开阔大气,清新美丽,是郁达夫作品中打着“另类”标签的一种点缀,但究其本质,仍可找寻出跟其他文章相通之处,这里的景物描写其实也是“零余者”的背景色。
Scene description is an indispensable element in literary works, and character description or coordination or contrast. The main image in Yu Dafu ’s works is mostly melancholy, pessimistic despair and decadent depression. Therefore, his description of scenery or the blending of scenery, or his compassionate love are all obviously “Yu” style. However, in his autobiographical essay, because of his adult identity, he recalled all kinds of childhood, interspersed with the scene description is open atmosphere, fresh and beautiful, Yu Dafu works in the name of “alternative ” a label embellishment, Investigating its essence, you can still find out the same place with other articles, the scene description here is actually “more than zero ” background color.