画种语言的产生是建立在独特的技术品质上的。在艺术表现中,版画的技术语言常常是一个半封闭的结构,它一方面体现艺术家潜在的表达需求,另一方面又以程式化的面貌来传播信息。于是产生这样一种现象:当版画成为“时尚”的审美主体时,“语言”的本体性便随之弱化,技术语言的差异与私有空间语言的延续,又受 The language of painting is based on the unique technical quality. In artistic expression, the technical language of printmaking is often a semi-closed structure, which on the one hand reflects the potential expression needs of artists, on the other hand, it spreads information in a stylized way. As a result, such a phenomenon arises that when printmaking becomes the aesthetic body of “fashion”, the ontological nature of “language” weakens, the difference between technical languages ​​and the continuance of private space language,