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1989年6月,我从中国美术馆的底层大厅登上二楼,从热闹的展厅里来到邱汉桥画展的展室,便进入一个宁静、清凉的世界。我漫无目标地观览壁上的作品,渐渐被那些质朴无华的水墨山水所吸引。可以看出,邱汉桥作画时是沉酣于宁静幽深的自然和单
In June 1989, I boarded the second floor from the ground floor lobby of the National Art Museum of China. From the lively exhibition hall to the exhibition hall of the Qiuhanqiao Art Exhibition, I entered a quiet and cool world. I aimlessly watch the works on the wall, gradually being attracted by the simplicity of the ink landscape. It can be seen that Qiuhan Qiao’s paintings are quiet and deep in nature and solitary