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听两位老师一说,我觉得他们是真正的作者。我是个教书匠,是一个学究型的人。我在想,就从整个纪录片历史来讲,其实从上个世纪20年代到30年代弗拉哈迪的《北方的纳努克》,一直到后面的60年代,成为一个主流话语的“直接电影”和“真实电影”的新势头,形成了一个轴心话语。为什么在后来的三十多年的纪录片中会形成一个“直接电影”的新势头,或者说是以观察体的电影为主,这么一个现象,我到现在也没有想清楚。
Listen to the two teachers, I think they are real authors. I am a book teacher, a study-type person. I think, from the history of the entire documentary, in fact, from the 1920s to the 1930s, “North Nanuk of Flahatha” until the latter 60’s became a mainstream discourse The new momentum of “Movies” and “Real Cinema” has shaped an axis of discourse. Why, in the documentary films of the following thirty years, a new trend of “Direct Film ” will be formed, or the phenomenon that the film based on observing bodies is the main one, and I have not yet figured it out.