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本文认为杜甫对绘画有着敏锐的感悟能力。他用“动”字对画进行品评,这与历代画论有神合之处,因此论画者往往把杜甫的题画诗当作画论看待,将杜甫题画诗中的“骨”与谢赫六法的“骨法用笔”等同起来了,在“干惟画肉不画骨”上产生了误解。其实,杜甫的“骨”是他心目中英雄的象征。杜甫评画在意的是人事而非单纯的绘画。因此,杜甫欣赏韩干的画技,但不欣赏韩干画的肥马。
This article holds that Du Fu has a keen insight on painting. He used the word “move” to comment on the painting, which is in harmony with the ancient painting theory. Therefore, the painters often regard the poem of Du Fu’s painting as the theory of painting, and put “bone” in Du Fu’s painting poems “And Sheikh six ” bone pen “equal equivalent, and ” dry but the meat does not show the bone “had a misunderstanding. In fact, Du Fu’s ”bone" is a symbol of his hero. Du Fu’s painting is about personnel rather than pure painting. Therefore, Du Fu appreciate Han painting techniques, but do not appreciate Han dry painting fat horses.