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主旋律艺术作品如何贴近观众、占领市场,一直是文艺工作者们孜孜不倦研究的课题。一部抗日战争题材的深圳粤剧《驼哥的旗》近两年来却获得了社会效益与经济效益的双丰收,引起了国内戏剧界的普遍关注。“这是一个很有特色的好剧本,近20年来,甚至50年来都不多见,很难能可贵,新颖深刻,以现代意识观照历史题材,揭示了只有像驼哥这样的小人物的觉醒,才是全民族的最终觉醒。在风格上,它还使现代喜剧达到了一个新的高度。”对于深圳市粤剧团专为第七届戏剧节创作的粤剧《驼哥的旗》,中国
How the main theme works of art close to the audience and occupy the market has always been a topic that tirelessly studied by literary and art workers. In the past two years, Shenzhen Cantonese opera “The Flag of the Camel” won the double harvest of social and economic benefits, arousing widespread concern in the domestic theater industry. “This is a very good script. It has been rare for more than 50 years in the past two decades. It is commendable and profound. Viewing history through modern consciousness reveals the awakening of only a small person like a camel. The ultimate awakening of the whole nation, and in terms of style, it has also brought modern comedy to a new height. ”For the Cantonese opera“ flag of the camel brother ”, which was exclusively written by the Shenzhen Opera Troupe for the Seventh Drama Festival, China