“文革”时期生产的影片总数不多,但其中的疾病话语却颇为引人注目,激进左翼的权威政治幻化出来的危机恐慌成了制造银幕疾病的强大驱力。依据政治功能的不同,“文革”电影中的疾病话语大致可以分为启悟模式、讽喻模式与颂歌模式,它们有着各不相同的生产机制、建构要素与意识形态实践效果。 The film produced during the Cultural Revolution was small in number, but the discourse of the disease was quite noticeable. The crisis panic illusified by the radical leftist authority became a powerful driver of the silver screen disease. According to the different political functions, the disease discourses in the “Cultural Revolution” movies can be roughly classified into enlightenment mode, allegory mode and caricature mode. They all have different production mechanisms, construction elements and ideological practical effects.