菲利普·罗斯在《美国牧歌》中刻画了努力漂白自己,想要融入美国主流社会的犹太人塞默尔·斯韦德·勒沃夫。通过分析白色在家庭、国家和国际层面的主导性作用,本文指出勒沃夫的田园理想和为平等公民身份所做的努力注定是失败的,以此揭露美国伊甸园之说的虚假性及其白色本质。 Phillip Rose pictured in the American Pastoral the Seymour Svede Lewv, a Jew who blends himself into the mainstream American society. By analyzing the dominant role of white at the family, national and international levels, this article points out that Lever’s pastoral ideals and efforts for equal citizenship are doomed to fail, revealing the fake nature of the Eden of America and its whiteness Nature.