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银幕革命领袖形象虽然实现了从无到有、从神到人的可喜变化,但这种提高仅是在量的积累的同时所出现的质的局部拓展,而没在根本上、整体上实现质的飞跃,尚未臻于严格意义上的完善、典型,成为具有深刻个别性和广泛普遍性的“这一个”。究其原因,不能不说是电影创作主体对革命领袖形象的认识及发现生活、开掘题材、驾驭电影这一具象艺术的不足,在一定程度上悖离了革命领袖形象塑造的生活真实、历史真实和艺术真实统一的原则。
Although the image of the leader of the screen revolutionary revolution has achieved gratifying changes from scratch and from God to man, this improvement is only a partial expansion of the quality that occurs at the same time as the accumulation of quantities, but not at all The leap forward has not yet been perfected and typical in the strict sense and has become a “one and the same” with profound individuality and widespread universality. The reason can not but be described as the fact that the subject of film creation understands the image of the revolutionary leader and the deficiency of the figurative art of discovering life, digging themes and managing the film, to a certain extent, runs counter to the truth of life and history created by the image of the revolutionary leader And the true principle of art.