本文清理了清代以来《汉志·诗赋略》分类研究最有影响的观点,从题材内容、形式体制、学术源流方面进行探讨。认为:《诗赋略》分类义例出自汉代主流意识的诗学思想,前三种赋可视为风体之赋、雅体之赋、颁体之赋,杂赋一种,附录而已。这是因为赋为“古诗之流”,要“侧隐古诗之义”,因而取法孔子删诗正乐,使“《雅》《颁》各得其所。”这就是班固《两都赋序》论述“孝成之世”向、歆父子校理诗赋“稽之上古则如彼”,给予我们的启示。 This article has cleaned up the most influential research on the classification of “Han Shi Poetry” in the Qing Dynasty, and explored from the aspects of subject content, formal system and academic origin. The author thinks that the classification of poems in Fundamentals of Poetry comes from the poetics thought of mainstream consciousness in the Han Dynasty. The first three kinds of poems can be regarded as the Fu of the style of the wind, the Fu of the style, the Fu of the body, and miscellaneous fu. This is because Fu as “the flow of ancient poetry”, to “conceal the meaning of ancient poetry,” and thus take the method of Confucius delete poetry and music, so that “Ya” “awarded” each have their own place. “This is Ban Gu” Er Du Fu Xu “ Filial piety of the world ”to the Xin and father and son school poetry Fu“ Ji on the ancient as the other ”to give us inspiration.