僧梦英是五代末、北宋初的书法家,曾活动于长安一带,以篆书名世。他所处的时代,是由乱到治、由分裂到统一的转折时期。入宋之后,社会终于摆脱了唐末以来近一个世纪的战乱,经济复苏,百废待兴。梦英以复兴书法艺术为己任,自许为李阳冰的继承者,数十年间进行着旨在复兴篆书的艺术实践。由于时代的局限,梦英及其同时代的 Monk Mengying is the late Five Dynasties, calligraphers in the early Northern Song Dynasty, had activities in Chang’an area, to seal world. The era in which he lived was a period of transition from chaos to rule and separation from reunification. Into the Song, the community finally got rid of the war of nearly a century since the end of the Tang Dynasty, economic recovery, all to be done. Meng Ying to revive the art of calligraphy as their responsibility, since Xu Li Bing successor, decades of artistic practice aimed at the revival of the seal. Due to the limitations of the times, Meng Ying and his contemporaries