在20世纪的30年代和40年代,曲学界曾经有一位风流一时的人物,他便是生于南京也故于南京的卢冀野。卢冀野先生在20世纪前半期,可谓风流占尽、誉满江南,然而自50年代以来,他却因种种原因被人们渐渐遗忘了。在新世纪之初,当我们回首20世纪中国戏剧研究所经历的艰难历程时,则不能不重新注意到卢先生在20世纪前期曲学研究中的重要贡献。 In the 1930s and 1940s in the 20th century, there was once a romantic figure in the study of music. He was born in Nanjing and Lu Jianyan in Nanjing. In the first half of the twentieth century, Mr. Lu Ji Yeh described himself as a handsome and well-to-do south, but since the 1950s he has been gradually forgotten by people for various reasons. At the beginning of the new century, when we look back to the difficult journey experienced by the Chinese Theater Studies in the 20th century, we can not but re-read Lu’s important contribution in the study of music in the early 20th century.