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上世纪,学术调查依靠学者、冒险家拍摄珂罗版照片、依靠手抄文献条目;本世纪,学术调查依靠大型数据库。根据图像特征、题记在数据库中直接寻找艺术作品,成为这个世纪研究者的福音。相对书画行业,石窟艺术的发展开得较晚,遇到了不同与书画数字化采集的诸多情况。本文就数字化图像采集、数字化保护与风格甄别问题进行相关的探讨。
In the last century, academic surveys relied on scholars and adventurers to take Colo photos and rely on hand-copied literature entries. In this century, academic surveys rely on large databases. According to the image features, inscriptions in the database directly look for works of art, become the gospel of researchers in this century. Relative to the calligraphy and painting industry, the development of grotto art started later, encountered a number of different circumstances and the collection of calligraphy and painting. In this paper, digital image acquisition, digital protection and style screening issues related to the discussion.