众所周知,当代书法批评的最大困惑是对书法家本人的批评。同时代的人,抬头不见低头见,有时还是利益攸关方,必然影响到批评的正常开展。书法批评比之其他批评的困难,首先是书法作品商品属性的进一步明确。当代书法界与商品市场相差无几,书法家们在一起,乐道的是何人当了主席,何人的作品卖了好价钱,鲜见对书法艺术本体的探索,对人文修养的向往。 As we all know, the biggest confusion in contemporary calligraphy criticism is the calligrapher’s own criticism. At the same time, people looking up from time to time, sometimes looking at stakeholders, will inevitably affect the normal development of criticism. Calligraphy criticism than other criticism of the difficulties, first of all, calligraphy works further clarification of the product attributes. Contemporary calligraphy and commodity markets are almost the same, calligraphers are together, who is happy when the chairman, who sold the works of a good price, rare exploration of the art of calligraphy, the longing for cultural accomplishment.