徐悲鸿在中国绘画界享有“中国近代绘画之父”的美称。在中国日渐衰败的绘画界,他勇于倡导改革现有的绘画技法。后来他出国八年,并在其作品中融合了西方精华的绘画方法,真正做到东西方文化的结合,开辟陈旧艺术改革与进步的新道路。作为当代中国最著名的画家之一,其创作的画中不仅使用了古往今来的各种技法,更是结合了西方绘画工艺,在世界上,其绘画的奔马更是享誉全球,并成为代表中国绘画艺术的作品。20世纪20年代,在北京大学出版的《绘学杂志》上, Xu Beihong enjoys the title of “Father of Chinese Modern Painting” in the Chinese painting circle. In China’s declining painting circles, he is bold in advocating the reform of the existing painting techniques. Later, after going abroad for eight years, he combined the western elite painting methods in his works so as to truly combine the eastern and western cultures and open up a new road to the reform and progress of old art. As one of the most famous painters in contemporary China, his paintings not only use all kinds of techniques from the past to the present, but also integrate Western painting techniques. In the world, his paintings are well known in the world and become the representative of China Painting art works. In the 1920s, at Peking University’s Journal of Graphic Arts,