作为一个约定俗成的概念,校园戏剧的内涵迄今缺乏清晰界定。在实践中,其外延有广义、狭义之别。广义的校园戏剧,指一切在校园内发生的以师生为创作主体的戏剧创作活动。而狭义而言,则专指非戏剧类院校或学科的普通学生作为创作主体的校园文化和艺术审美的实践活动。无论广义、狭义,“无功利的、自娱自乐的业余创作”(1),一直都是校园戏剧的天性品格。正是这一品格,造就了校园戏剧较之普通 As a common concept, the connotation of campus drama has so far lacked a clear definition. In practice, its extension has a broad sense and a narrow sense of difference. Broad sense of the campus drama refers to all occurred in the campus to teachers and students as the main creative writing activities. In a narrow sense, it refers specifically to non-drama colleges or subjects of ordinary students as the main body of the creative culture and art aesthetic practice. Regardless of generalized, narrow sense, “non-utilitarian, entertaining amateur creation ” (1), has always been the nature of campus drama character. It is this character that has made campus drama more ordinary