当罗杰·弗莱把自然科学的惯性带到了文化人类学的原始艺术态度中,艺术批评开始了跨学科,就像罗杰·弗莱在《黑人雕刻》中说的:“奇怪的是产生了这些伟大艺术家的人民没有产生我们语汇意义上的文化——黑人没有创造出世界上最伟大的文化之一,不是因为缺乏创造性的审美冲动,也不是因为缺乏最精微的感觉和最高级的情趣。无疑缺乏一种支撑他的批评标准”。 When Roger Frye brought the inertia of natural science to the original artistic attitude of cultural anthropology, artistic criticism began interdisciplinary as Roger Frye said in Black Carving: "The weird thing is The people who produced these great artists did not produce the culture in our sense of language - the Negro did not create one of the greatest cultures in the world, not because of a lack of creative aesthetic impulses, nor because of a lack of subtlest sense and the highest No doubt there is a lack of criticism that supports him.