文化工业理论并不是一个新课题,但因其强烈的批判性和否定性非常适合用于研究新的市场环境下的中国电影产业的发展。针对这一研究方向,国内已有众多学者给出精心独到的分析和见解。本文将从文献综述的角度对这一视阈下的理论分野进行梳理和分析,从生产和接受两个角度辨析出转型期的中国电影产业如何在困境中发展自身。 The theory of cultural industry is not a new topic, but because of its strong criticism and negation, it is very suitable for studying the development of the Chinese film industry under the new market environment. In view of this research direction, many scholars in China have given their own analysis and insights. This article will sort out and analyze the theoretical division under this horizon from the perspective of literature review. From the perspective of production and acceptance, we will analyze how the Chinese film industry in the transition period develops itself in the difficult situation.