京剧打击乐是京剧艺术的一个重要组成部分,它在京剧表演中有着特殊的地位和作用。京剧的表演形式——唱、念、做、打;表现方式——手、眼、身、步、法,都与打击乐有着不可分割的密切关系。在呼应表演动作上,大凡所有成套的程式化动作,诸如:起霸、走边、趟马、圆场等等,都有成套的锣鼓相配合,以至起霸、走边、趟马、圆场等等也就同时成了锣鼓经的名称。在烘托唱 Peking Opera percussion is an important part of the art of Peking opera. It has a special status and role in Peking Opera performances. Peking opera performance form - singing, reading, doing, playing; mode of expression - hands, eyes, body, step, law, and percussion are inextricably linked. In response to the performance of action, all the complete sets of stylized action, such as: Pa, walking, horses, ritual games, etc., there are sets of percussion match, as Pa Pa, walking, horses, rituals and so on At the same time became the name of percussion. Sing in contrast