1998年的春天,泰坦尼克号上的幽魂又再次召唤着世人,进入电影院面对纪念碑般的泰坦尼克号,参与仪式似的悼念过程;随着庞大的铁壳船静静地沉入大西洋中,也激起了观众们挥之不去的哀愁与怅然,在料峭的春寒中更显得阴沉低调。走出电影院的人群犹如泰坦尼克号中列队而出的行尸走肉,心中充满着一种难解的情结,倒不是电影中少男少女的爱情有多伟大,令人心情纠结的反而是那些倾撒于冰冷黑暗汪洋中的无数生灵。对于设计者而言,设计一艘超级大船,却只能眼睁睁地看 In the spring of 1998, the ghost on the Titanic once again summoned the world to enter the cinema in the face of the monument-like Titanic in a ritual-like process of mourning; as the huge iron-clad ship quietly sunk into the midst of the Atlantic Ocean, Also aroused the audience's lingering sadness and a sense of loss, even in the chilly spring cold even more gloomy. Out of the cinema crowd like Titanic lined up in the walking corpse, the heart is full of an indecipherable complex, it is not the love of boys and girls in the movie how great the mood is tangled but those pour in the darkness of darkness Countless creatures in the ocean. For designers, the design of a super-ship, but can only watch