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陈旭红的中篇小说《人生在世》没有大起大落的故事情节,没有波澜奇崛的戏剧性冲突,更没有善恶分明的人物谱系,就连用词也少有修饰性的形容词、副词,语句多是朴实的陈述句,就像日常生活的流水一样慢慢悠悠地运行着,诉说着。她叙述的是当今中国社会一个最普通的家庭的几个成员的生老病死、悲欢离合。她在字里行间细细咂摸着弥漫在日常生活中的人间情味,并对那无处不在的世道的蛮横做出委婉的略带女性色彩的针砭。这样笔墨恬淡但意蕴沉酣的小说是需要以平淡的心境细细品读的。
There are no dramatic ups and downs in Chen Xuhong’s novella Life on Earth. There are no dramatic clashes in the ups and downs. There is no dramatic pedigree of good and evil characters. Adjectives and adverbs are rarely even adorned with simple declarative sentences , Just like the daily life of running slowly and leisurely, tell. She narrated the death, joys and sorrows of several members of one of the most ordinary families in Chinese society today. Between the lines of the book, she slendered and touched the human touch in everyday life, and made euphemistic and slightly feminine sting of the ubiquitous worldly manner. Such a tactile but imposing novel is a need to read carefully with a plain mood.