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中国花鸟画具有悠久的发展历史,它体现了人与自然的审美关系。从花鸟画发展历史上说,中国花鸟画在唐代已经成熟,五代两宋是花鸟画的鼎盛时期。最为典型的是五代时期的黄筌和徐熙,其中黄筌崇尚富贵追求色彩鲜明,为典型的富贵宫廷画风。宋代“院体”花鸟画的形成,推进了这种宫廷富贵画风的发展延续,并达到新的高峰。在两宋画院的数百年间,“黄家富贵”一路的写实画风占据了主导地位。明代宫廷院体花鸟画就是这种写实画风延续发展的适当表现。边景昭是明代宫廷院体花鸟画中影响较大的工笔花鸟画家。他既继承了南宋“院体”工笔重彩的传统,画风严谨细腻,作品工整清丽,笔法细谨,赋色浓艳,高雅富贵,又创新性的在画中透出雍容浑朴气象,自成一格。在取材、立意、构图、笔墨、格调等方面都带有浓厚的宫廷画气息,开创了明代“院体”花鸟新风。传世作品有《竹鹤图》等。
Chinese flower and bird painting has a long history of development, which embodies the aesthetic relationship between man and nature. From the history of the development of flowers and birds painting, China’s bird and flower painting has matured in the Tang Dynasty. The Five Dynasties and the Second Song Dynasty was the heyday of flowers and birds painting. The most typical is the Five Dynasties period Huangpi and Xu Xi, of which Huangpi advocating rich pursuit of bright colors, the typical rich palace style. The formation of the Song Dynasty “courtyard” bird and flower painting promoted the development and continuation of this kind of palace rich painting style and reached a new peak. In the past hundreds of years in the Songhua Academy, the realistic style of the “Huang Family Fugui” dominated. Ming court courtyard flowers and birds painting is an appropriate performance of this realistic style of painting continued development. Bianzhao Zhao palace court in the Ming and Qing dynasties flowers and birds painting more influential pen and flower painter. He inherited the Southern Song “courtyard ” meticulous and traditional, rigorous and delicate style, the work neat and elegant, meticulous fine style, color rich, elegant and rich, but also innovative in the painting revealing the elegant atmosphere, since Into a grid. In drawing, conception, composition, brushwork, style and so on with a strong palace painting atmosphere, creating the Ming Dynasty “courtyard ” fresh air. Works handed down “bamboo crane map” and so on.