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我曾经在一篇文章中写过这样一段话:“翻开一部中国书法史,我们会发现这样一个现象:凡是经过历史洗礼之后还能留下书名,被后世书人尊崇的书法大师,大多是业余作者。”我把这种现象称为“业余书法状态”。回想自己习书几十年,一直崇尚古代先贤,试图追寻他们的足迹,虽望尘莫及,然心向往之。起步阶段的业余水平从6岁那年被父母领上习书之路,到第一次入选国展,我的学书起步阶段持续了将近30年。伴随我的有欢乐,也有苦痛,总结起来,缘于对
I wrote an article in an article like this: “Open a history of Chinese calligraphy, we will find such a phenomenon: all who, after the baptism of history, can still leave the title, be calligrapher masters of later generations , Mostly amateurs. ”I call this phenomenon “ amateur calligraphy ”. Recalling his book for decades, has always advocated the ancient sages, trying to track their footsteps, though far behind, but heart yearning. The initial stage of amateur level from the age of 6 years was led by parents learning the book road, to the first time selected for the National Exhibition, my study started in the book lasted nearly 30 years. With my joy, there are pain, summed up, due to right