论文部分内容阅读
题画诗在广义层面上意指与品赏绘画艺术相关的诗歌创作。从观看者的角度来说,题画之人需要具备一套行之有效的品鉴方法,才能读出其中的气韵。以苏轼、黄庭坚为代表的宋代观画传统对金代士人书画审美倾向的形成有着重要影响。不仅元好问品题黄华墨竹如此,金人对流传于金中后期40余年间《燕子图》的同题集咏,更是彰显了这种审美趣味。金人的观画与题画活动,将诗性思维融入绘画欣赏中,观画以观己,题画以题人生。
The title painting poetry refers to the poetic creation related to the painting appreciation art in the broad sense. From the viewer’s point of view, the title of the people need to have a proven tasting method in order to read the charm. The tradition of painting and calligraphy represented by Su Shi and Huang Tingjian in the Song Dynasty had an important influence on the formation of the aesthetic tendency of calligraphy and painting of Jin Dynasty scholars. Not only a good question asked questions Huang Hua Mo Bamboo so gold on the spread of more than 40 years in the late “Swallow Figure” with the same title Wing, but also demonstrates this aesthetic taste. Jin’s concept of painting and drawing activities, the poetic thinking into the painting appreciation, the concept of painting to observe their own problems, the title to the title of the problem.