2011年的一个冬夜,我狂奔过日本东京新宿繁华的街头,寻找一个名字奇怪的私人美术馆,只为一幅画。找到这家东京安田火灾东乡青儿美术馆时,再过30分钟就要闭馆了。满头大汗的我,急切地寻找,终于看到那面被一幅大画独占的墙壁。这座美术馆藏有凡·高现存的七幅《向日葵》真迹之一。我屏住呼吸走近它,轻轻在它面前坐了下来。隔着玻璃,金黄的花瓣张牙舞爪,像我的老朋友。 On a winter night in 2011, I ran through the thriving streets of Shinjuku in Tokyo, Japan, looking for a strange private art museum, just a painting. To find this Tokyo Yasuda fire Dongxiang Qinger Art Museum, another 30 minutes will be closed. Sweating me, eagerly looking for, and finally saw that side was a monopoly of the walls of a painting. The art gallery houses one of the seven authentic “Sunflowers” survivors of Van Gogh. I held my breath and approached it, and sat down gently in front of it. Across the glass, golden petals claws, like my old friend.