拜读了《花木盆景》1996年第3期肖芳锐同志写的《浅谈山水盆景的摆件安放》后,想补充谈几点,以供参考。唐代画家王维在《山水论》中说:“山腰掩抱,寺舍可安;断崖坡堤,小桥可置。有路处则林木,崖绝处则古渡,水断处则烟树,水阔处则征帆,林密处则居舍。”这段话虽是画理,但却与山水盆景配件安放原则同出一辙,亦说明了山水盆景的摆件安放需合乎生活规律,贴近自然。又因关连到比例、透视、露藏等关系,所以山水盆景的摆件一般有以下几点安放原则:一、回抱处僧舍可安:寺庙古刹宜隐不宜显,峰回路转处一角红墙露于林外,增添了幽静和神秘感,令人想去一探究竟,给观赏者有联想余地和回味处。二、水陆边人家可置:俗话说有水源必有人家,水是生命 Read the “flowers bonsai” 1996 the third period of Xiao Fangrui wrote “on the bonsai ornaments placed”, would like to add a few words for reference. Wang Wei, an artist in the Tang Dynasty, said in his book “The Theory of Landscape” that “the mountainside is covered and the temples are safe; the cliffs are steep and the bridges can be set. Tree, the water is at the levy of sails, Lin dense place is living. ”Although this passage is a painting, but with the same principle of landscape bonsai accessories installation, but also shows the landscape bonsai ornaments placed in line with the laws of life , Close to nature. Because of the connection to the ratio, perspective, exposure and other relations, so the landscape bonsai ornaments generally have the following principles: First, the back of the shameless Anke: temple should be hidden should not show the ancient peak, Outside the forest, adding a sense of quiet and mysterious, it is wanted to find out, give viewers have the imagination and aftertaste. Second, water and land people can set: As the saying goes, there must be people water, water is life