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作为第六代导演,宁浩的作品被视为是商业片的类型之作。但其思想表达的深度和人文关怀的内核尤其是宗教意识,又使得他的作品区别于感官刺激的商业片。其作品《无人区》兼具画面视听的观赏性、故事情节设计的戏剧性、宗教思想层面对人性哲理的深沉思辨,以及对当下存在的一些社会问题的剖析与解读。分析其台词中反映出的宗教意识,将揭示其对于对动物性与人性、文明与信仰的深刻思考。
As a sixth-generation director, Ning Hao’s work is considered a type of commercial film. However, the depth of his thought expression and the core of humane care, especially the religious consciousness, also made his works different from the sensational commercial films. His no-man’s land is a combination of spectacle viewing, story-telling dramatic design, deep speculation of human nature at the level of religious thought, and analysis and interpretation of some current social problems. An analysis of the religious awareness reflected in its lines will reveal its profound consideration of animality, humanity, civilization and faith.