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传统手工艺与现代大工业的对立,已是一个世纪性的问题,从英国的“艺术与手工艺”运动直到今天的百年之中,始终没有停止过手工艺行业起伏跌宕的风风雨雨.莫里斯面对粗陋的大工业产品,曾经企图以手工艺生产取而代之,但那只能是徒具空想;新艺术运动希望以手工艺风格改造机器生产,也不过是昙花一现;德国的理性主义设计期望建立区别于手工艺的大工业生产审美标准,历经坎
The confrontation between traditional handicrafts and the modern big industry has been a century-old issue. From the “art and handicraft” movement in Britain to today’s centenary, it has never stopped its ups and downs in the handicrafts industry. Rough, large-scale industrial products, once tried to replace it with handicraft production, were only fantastical; the Art Nouveau hoped to transform the production of the handicrafts in the artisanal style; it was nothing short of a flash in the pan. The rationalist design in Germany looked forward to establishing a large Aesthetic standards of industrial production, after Hom