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通过比较《灵光》和《一出梦的戏剧》各自的创作背景、创作手法、不同的结构和主题,以及两剧对两性情感描写的不同态度等方面,我们以为田汉剧作《灵光》与斯特林堡《一出梦的戏剧》有着本质的差异,前剧并非是受后剧影响的产物。斯特林堡的梦剧和田汉描写的梦境完全不是一种形式的,前者是以梦构思全剧,后者是在剧中引入梦境,他们是创作思想和创作方法的不同。
By comparing the respective creative backgrounds, creative techniques, different structures and themes of “Emmanuelle” and “A Dream Theater” and the different attitudes of the two dramas about the emotional description of the two sexes, we think that the play “Emmanuel” Trindberg “a dream drama” is essentially different, the former drama is not influenced by the play after the product. The dreams of Strindberg and the dreams written by Tian Han are completely different from the former. The former conceives the whole play by dreams and the latter introduces the dreams in the play. They are the differences between the creative thinking and the creative methods.