从中国当代版画发展的主要特征和现象入手,特别是对当代版画画面的主体风格研究,得论出设计化平面化的论,论述其形成的内外因素,从版画家主体的演变,探讨版画家身份的传统单一固有化向多样化艺术家身份转变的原因,对版画创作的影响。第三是对版画和有限印刷的争端得出二者的相互有益性补充和关照,并不是截然对立。 Starting with the main features and phenomena of the development of contemporary Chinese prints, especially the study of the subject style of the contemporary printmaking prints, this article discusses the theory of designing the planarization, the internal and external factors of its formation, the evolution of the main body of the printmaker, The reason for the change from the traditional identity of identity to the identity of diverse artists and the influence on the creation of printmaking. The third is that the dispute between printmaking and limited printing leads to the mutual supplementing and consideration of the two and is not diametrically opposed.