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大卫·马梅特是当代美国著名的戏剧家,《奥利安娜》是他20世纪90年代最具争议性的代表作。本文通过文本细读,结合伊哈布·哈桑关于后现代主义不确定性、分裂性、解构的特征理论,分析剧中主题、人物以及语言特征,指出《奥利安娜》消解了传统的整体性和中心化,从而导致人与人之间的交流困境,揭示后现代主义背景下人与人之间的关系。
David Mamet is a famous contemporary American playwright, “Oriana” is his most controversial representative of the 1990s. Through the careful reading of the text and the analysis of the theme, characters and language features of Ibrahim Hassan’s postmodernist theory of uncertainty, disruptiveness and deconstruction, the thesis points out that “Oriana” dissolves the traditional whole Sexuality and centralization, leading to the exchange of difficulties between people and reveal the relationship between people under the background of post-modernism.