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青白瓷的烧制开创了瓷器彩釉装烧的先河,其呈现的釉色与胎釉化学组成和烧成工艺紧密相关;同时,社会时局变动引起的人口南迁、时代文化价值观和市场需求等社会文化背景方面的因素也起到巨大的推动作用。关于青白瓷的起源,学术界一直持有“一元论”的观点。本文依据河南、安徽、湖北、江西和福建等地的考古资料和近年来古陶瓷考古的新发现,拟从唐末五代时局大变动下南方白瓷产生的社会背景,结合考古发掘的各地区青白瓷不同的器物形态、化学组成、烧造工艺等视角,分析青白瓷产生的社会文化背景及其映射的时代特性,论证青白瓷起源的地域分散性特征,与青白瓷源出宋代景德窑的传统观点和起源于某一个地区的“一元论”说法进行探讨。
The firing of blue and white porcelain has created a precedent for the installation of porcelain glaze. The glaze is closely related to the chemical composition and firing process of the glaze; at the same time, the migration of the population, the cultural values of the times and the market demand caused by social changes Social and cultural background factors also play a huge role in promoting. As for the origin of blue and white porcelain, academia has always held the view of “monism”. Based on the archaeological data of Henan, Anhui, Hubei, Jiangxi and Fujian and the new discoveries of the ancient ceramics archeology in recent years, this paper intends to study the social background of the southern white porcelain from the great changes in the late Tang and the Five Dynasties, Qingzai porcelain different objects morphology, chemical composition, sintering process perspective, analysis of the social and cultural background of Qingbai porcelain and its mapping of the times characteristics of geographical origin of Qingbai porcelain decentralized features, and the origin of the Qing Dynasty white porcelain Jingde Kiln Song Dynasty Traditional viewpoints and “monism ” theory originated in a certain area to discuss.