此时此刻,如果我们仍然认为“创新”是当代艺术的关键点,那么未免落入了一些人为设置的陷阱。伴随着20世纪的社会生产力空前提高,杜尚的出现完全改变了艺术作品的创造规则,自此之后,艺术已经不再是“技术运用”和“创新”的问题,而是强调艺术家本身的“观念选择”和“消费基础”。更进一步说,进入21世纪的互联网时代之后,创新仅仅是在展示方式上存在,而非观念表达。表面上看,这或许是因为前人已经实施了太多的实验方案,实际上,原因在于艺术家身份的转变。消费时代的我们都是消费者,而消费者倾向于以“选择”表达自身。换言之,消费文化将艺术家的定义变得异常模糊, At this moment, if we still think “innovation ” is the key point of contemporary art, it will inevitably fall into the trap of some people to set. With the unprecedented increase of social productive forces in the 20th century, the appearance of Duchamp completely changed the rules for the creation of works of art. Since then, art has ceased to be a problem of “technical application” and “innovation” The artist’s own “concept of choice” and “consumer base”. Furthermore, after entering the Internet age of the 21st century, innovation only exists on the way of presenting rather than expressing ideas. On the surface, this may be because too many experimental programs have been implemented by our predecessors. In fact, the reason is that the artist’s identity has changed. We are all consumers in the consumer age, and consumers tend to express themselves as “choices.” In other words, consumer culture has blurred the definition of the artist,