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本文运用符号学、认知语言学及语言哲学的方法,细读晚清作家苏曼殊的诗作,管窥古汉语语词如何作用于旧体诗的语法与修辞机制,进而参与作者与读者的认知体验中多元概念空间的映射与整合,从而考察作家以语言为中介、建构文本内外的话语主体的方式;笔者把苏曼殊诗歌的文类符码特征作为洛特曼符号学意义上的二度模式系统的重要规约进行探讨,从语言学汇通诗学的视角为比较文学研究做一种新的尝试。
Using semiotics, cognitive linguistics and linguistic philosophy, this essay scrutinizes the poems of late Su Qingshu writer Su Manshu. This essay gives a glimpse of the grammar and rhetorical mechanism of how the ancient Chinese words and phrases affect the old-style poems, and then participates in the cognitive experience of the author and the reader In order to explore the way in which writers use language as an intermediary to construct the subject of discourse both inside and outside the text. The author takes the character patterns of Su Manshu’s poetry as the second mode system in the sense of Lotman’s semiotics The author discusses the important statute of the book, and tries to make a new attempt for comparative literature research from the perspective of linguistics Huitong poetics.