20世纪的匈牙利作曲家如巴托克、柯达伊、利盖蒂等,为我们书写了一份当代匈牙利的较为完整的音乐史。但人们往往忽视了这些人都是在离开匈牙利本土后,得名于西方或放弃音乐创作改为研究民族音乐学的事实。本文着重于对非苏联模式下的匈牙利作曲家乔治·库塔格及其创作的研究,以期填补社会主义时期匈牙利音乐(1949-1989)的一段空白。 20th century Hungarian composers such as Bartok, Kodaly, Li Geti, etc., for us to write a more contemporary history of music in Hungary. However, people often overlook the fact that these people, after leaving the native Hungary, are named in the West or abandoned their musical compositions to study ethnomusicology. This article focuses on the study of Hungarian composer George Kutag and his creation under the non-Soviet model with a view to filling a gap in Hungarian music during the socialist period (1949-1989).