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马头琴与其他弦乐器一样,它的定弦音不仅同一定的调式调性联系在一起,并且其定弦音本身就是其调式调性的直接显现。其定弦音既体现着其调式色彩特征,亦体现着它们的调性及其实际音高位置。如以g、c~1定弦的中音马头琴,也就是人们通常说的C调的5、1定弦。这里的C调是指没有任何升降记号的,以C音为主音的调式调性及其定弦音。这种观念是将蒙古族应用的传统的五度相生调式观念与西方调式调性观念相结合,按照西方大小调观念理解的产物。这种理解既有合理、实用的一面,亦有不合理、曲解蒙古族
As with other stringed instruments, the dances are not only linked to the same type of tonality, but also their natural pronouncedness as a direct manifestation of their tonality. The fixed tone not only reflects its tone color characteristics, but also reflects their tonality and its actual pitch position. Such as g, c ~ 1 midrange mater tuning, that is, people usually say C tuning 5,1 fixed string. Here C refers to the tone without any lifting sign, with C tone as the main tone of the tone and its fixed tone. This notion is the product of understanding the Mongolian tradition of the concept of the five degrees of harmonization with the Western concept of tonality and tonality. This understanding is both rational and practical side, there are unreasonable, distorted Mongolian