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在中国文化史上,苏轼是一位熔烁古今、不可或缺的领军人物,其才能几乎是全方位的。就书法而言,更是代表了有宋一代的最高成就,被誉为“宋四大家”之首。苏轼书法广泛吸收“二王”、“颜柳”等各家特点,其简淡自然的笔墨风格,离形得似的意境追求营造出丰富的美学思想,本文试图通过对苏轼书法“寓意”美学作一观照,以期对苏轼整体文艺观的把握有所裨益。苏轼书法“寓意”美学思想的提出在历代审美的递嬗和流变中,宋人多以写意乐心。宋代尚意书风正是植根时代的审美风尚,苏轼是这一文化精神的倡导者和代表人物,从他丰富的论书内容中可
In the history of Chinese culture, Su Shi is an indispensable leader who has melted the past and present. His talent is almost omnibearing. As far as calligraphy is concerned, it represents the highest accomplishment of the Song generation, hailed as the “Song of Four”. Su Shi’s calligraphy extensively absorbs various characteristics such as “Two Kings” and “Yan Liu”. Its simple and natural style of brush and calligraphy and the pursuit of artistic conception from the shape makes it rich in aesthetics. “Meaning ” Aesthetics make a point of view, with a view to Su Shi overall grasp of literature and art benefit. Su Shi’s calligraphy “meaning ” aesthetics put forward In the successive changes and changes in the aesthetic, the Song people more than freehand. The style of writing in the Song Dynasty was just the aesthetic style rooted in the era of rooting. Su Shi is the advocator and representative of this cultural spirit. From his rich content of the book,