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敦煌写本戏剧文献的相关研究肇始于二十世纪初年。在三、四十年代形成基本格局,伴随五十年代敦煌学的发展,敦煌戏剧学研究也得以深入进行。八、九十年代以来,借重于敦煌学的繁荣和戏剧学的兴盛,敦煌写本戏剧文献研究也开始向更深入、更全面的方向推进。新世纪以来,敦煌写本戏剧文献的相关研究成为研究者较少涉足的领域。但敦煌写本所提供的有关中古时期中国戏剧发生的相关资料,尚有很大的空间需要继续挖掘与开拓。
Dunhuang manuscripts literature research began in the early twentieth century. In the 1930s and 1940s, a basic pattern was formed. With the development of Dunhuang Studies in the 1950s, the study of Dunhuang Theater Studies was also carried out in depth. Since the 1990s, with the flourishing prosperity of the study of Dunhuang and the rise of drama, the study of the Dunhuang manuscripts has begun to move deeper and more comprehensively. Since the beginning of the new century, the related research of the Dunhuang manuscripts has become a field where researchers rarely involved. However, the Dunhuang manuscript provided by the relevant information about the occurrence of Chinese theater in ancient times, there is still much room for continued mining and exploration.