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壁画作为宗教艺术的重要表现形式,有着极高的艺术研究价值。关于永乐宫壁画的研究目前主要集中在永乐宫三清殿的《朝元图》。相形之下,对于永乐宫纯阳殿壁画的关注较少,从传播学角度对纯阳殿壁画中道教神仙吕洞宾各种表现形象的解读则更为鲜见。作为全真教自认的祖师,吕洞宾在道教中的重要地位由来已久。他不仅是道教中备受推崇的神仙,在民间的重要影响同样不容忽视。因此,我们有必要对永乐宫纯阳殿壁画给予高度的关注。本文通过对吕洞宾信仰发展变化的简单梳理,以及对纯阳殿壁画构图、造型、用色三方面的细致考察,探究吕洞宾信仰对纯阳殿壁画创作的影响,从宗教传播的角度分析宗教艺术中的世俗表达,使我们对永乐宫壁画有更为全面的了解[1]。
As an important manifestation of religious art, mural painting has a very high artistic research value. The research on the murals of the Yongle Palace is mainly focused on the “Dynasty Yuan dynasty” of Sanqing Temple in Yongle Gong. In contrast, there is less attention paid to the murals of Chunyang Temple of Yongle Palace. From the perspective of communication, the interpretation of the various manifestations of the Taoist god Lu Dongbin in the pure Yangdian murals is even more rare. As a true founder of Quanzhen Buddhism, Lu Dongbin’s important place in Taoism has existed for a long time. He is not only a highly regarded god of Taoism, but also important in the civil society. Therefore, it is necessary for us to give a high degree of attention to the murals of the Pure Yang Temple in Yongle Palace. In this paper, through the simple combing of the development of Lv Dongbin’s faith and the careful examination of composition, shape and color of Chun Yangdian’s murals, this paper explores the influence of Lvdongbin’s belief on the mural creation of Chunyang Hall, and analyzes the religious art from the angle of religious spread Secular expression, so that we have a more comprehensive understanding of the Yongle murals [1].