论文部分内容阅读
在蒙古部族走向元代民族国家途中,古代中国漆器文化的发展经历了从“共同体”转型为“政治体”的文化裂变。漆器文化生产尽管有“工奴制”“技术思潮”“植物图案”等许多部族化偏向的实践议题,但海上丝绸之路为漆器文化及其民族文化多样性发展敞开了中西文化对话的新空间,并在海外文化传播中释放出巨大的文化溢出能量。元代海上丝路漆器文化的外溢不仅促进了漆器自身发展走向技术至美,还重塑了元代国家文化的世界形象,并激起海外人的中国文化想象,更见证蒙古部族向民族国家转型发展的历史意义与逻辑内涵。
In the process of Mongolian tribal march toward the nation nation of the Yuan Dynasty, the development of lacquer culture in ancient China experienced the fission of culture from “community” to “political body”. Although there are many tribal biased practices such as “slavery”, “technical ideology” and “botanical patterns”, the maritime Silk Road is open to the development of lacquer culture and its ethnic cultural diversity The new space for the dialogue between Chinese and Western cultures and the release of enormous cultural spillovers from overseas cultural exchanges. The spillover of the lacquer culture of the maritime Silk Road in the Yuan Dynasty not only promoted the development of the lacquer ware itself to be technologically beautiful, but also reshaped the world image of the national culture of the Yuan Dynasty and aroused the cultural imagination of overseas Chinese and even witnessed the transformation of the Mongolian tribes to the nation-state The Historical Significance and Logical Connotation of Development.