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明代书业发达,是时坊肆林立,刻家蜂起,全国两京十三省,几无地不刻书,官、私、坊三大系统并皆兴盛,以书籍插图为主要存在形式的版画艺术也由是大兴,明中叶之后,更是呈现出前所未有的大繁荣局面。北京作为京师,是北方版画最重要的梓行地,所刻也最能反映北派版画的艺术风格和特点。但由于明代书业一直呈现出南盛北衰的大格局,对北京版画尚缺少系统的整理和研究,笔者因撰此文,藉以对明代北京版画的源流递嬗,理出一个大致的线索。
The book industry developed in the Ming Dynasty was a time when there was a flourishing rush of shops and bee-insurgents. The three major provinces and counties in the country were full of books, and the three systems of official, private and office flourished. Also from Daxing, the middle of the Ming Dynasty, it is showing an unprecedented prosperity. As the capital of Beijing, Beijing is the most important Azalea in northern China. Engraving also best reflects the artistic style and features of the North prints. However, since the book industry in the Ming Dynasty has been showing the grand pattern of a southward decline in the north, there is still a lack of systematization and research on the printmaking in Beijing. Because of this essay, I draw a general clue about the origins and changes of the Beijing printmaking in the Ming Dynasty.