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罗丹站在西方雕刻的传统与现代之间,以他对世界的独特认识和深切感受作为创造的出发点。可以说,罗丹用他的雕塑语言向世人表达强烈的情感,对象的形体成了他恣意歌唱的工具。他追求充溢于形体内的生命感受与光影的特殊效果。本文着重从这两方面分析罗丹雕塑中形体语言的情感表达。
Rodin stood between the tradition of the West and the modern, with his unique understanding and deep feeling of the world as a starting point for creation. It can be said that Rodin uses his sculptural language to express strong emotions to the world and the object’s form has become his instrument of wanton singing. He pursues the special effects of life experience and light and shadow in the body. This article focuses on analyzing the emotional expression of body language in Rodin’s sculpture from these two aspects.