尽管三十多年以来中国小剧场艺术的本土化进程从未停止,但因为中国舞台艺术,尤其是剧场形式演出从总体上至今仍没有走出生存困境,所以中国小剧场业态发展目前的最大问题还是生存问题,这也是称其发展仍处于初级阶段真正原因。今天,中国小剧场艺术从最初的探索戏剧先锋到适应市场经济的多元化演出,已经走过了一条走向大众、走向生活、走向市场的本土化发展之路。这使得中国小剧场艺术有了与海外小剧场不同的意义与功能,中国小 Although the art of Chinese mini-theater has never stopped its localization in the past 30 years or so, the biggest problem in the development of Chinese mini-theater is that the stage art in China, especially the performance of the theater in general, has not yet survived. This is also the real reason why its development is still in its infancy. Today, China’s mini-theater art has gone through a road of localization development that goes to the public, goes to life and goes to the market, from the initial exploration of the theater pioneer to the diversification of the market economy. This makes the Chinese theater art has a different meaning and function with a small theater overseas, the Chinese small